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Tag: Smallville

This generation’s Superman

One of my favorite comic blogs is CBR’s Comics Should be Good. In a recent post, the blog pointed out something which I hadn’t realized before:

Okay, this is just a weird thought that struck me after I got the news that Smallville had been renewed yet again.

I suddenly realized that there are almost as many hours of Smallville on film as there are of all the other Superman TV adaptations combined.

Boggles the mind, doesn’t it? What really pulled me up short was the startling notion that for two or three generations of grade-school kids, Smallville is their primary — maybe only — experience of any kind of Superman story at all.

It makes you wonder: is the correct interpretation that comics is dying and being replaced by a lesser art form? Or that it is simply evolving to tell its stories using a new medium? Or maybe a little bit of both?

image My take is that the comics industry made a big mistake years ago in investing in creative directions which became impossible for lay-people to follow along. As devoted as I am to the medium, even I find a lot of today’s stories difficult to follow and lacking in the original character work that made them so memorable. Take Superman – when’s the last time a good Perry White story was written? Or a good Jimmy Olson? You probably have to go back over 10 years to find them.

With Smallville, the barrier to entry is not only much lower (although after ten years, even Smallville has started to fall into continuity traps), its brought back the romantic soap-opera and angst-ridden introspection which has done so well for series like the X-Men or Spiderman, and wrapped it up with an impressive array of special effects and modern television-making in a mostly-weekly format.

I hope the industry sees this both in terms of lessons to be learned about how to revitalize the original medium (make it more frequent than monthly, add back the supporting cast, reduce the dependence on excessive continuity, add back real character drama), and in terms of how they can continue to adapt their rich stories for the future.

(Image credit)

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Suggestion to American TV studios

The past few weeks I’ve been eagerly watching a variety of Japanese television, and I noticed something very peculiar (for an American).

The few Japanese dramas I’ve seen actually end. They build to an end and then just stop. They don’t drag it out for season after season, allowing different seasons to suffer based on actor/actress-negotiations and writers having off-years. They don’t end on ridiculous season cliffhanger-after-season cliffhanger. They have  a well-defined endpoint and, by building to it, they keep the story fresh and force it to have a suitable length.

This isn’t to say that the Japanese dramas I’ve seen don’t go on for multiple seasons. But, I would assert that sequels (should) only happen when there is sufficient audience demand for one and when the storytellers think they have another story to tell.

Contrast that with American TV – the seasons are built not for any plot reason, but because a TV studio needs to have sufficient content to fill the months of September to May/June. Seasons are renewed, not because of a deep creative reason or even necessarily because of audience demand, but because of a misguided sense of momentum. This doesn’t always turn into a disaster (I believe House MD, despite its traditional  has maintained a reasonable level of quality each season through the quality of its casting and writing), but even series that I thoroughly enjoy like Smallville have had their fair share of “useless filler” episodes and bad seasons.

In my humble opinion, it’d be far better to adopt the miniseries format. It prevents writers from creating ridiculous plot devices to keep a story going way past its prime (and past when its actors begin leaving for greener pastures), and it maintains a quality of production which only a purpose-driven creative process can lead to.

Given the challenges of the TV business, I’d say its at least worth a shot for an American TV studio to try.

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